Theater review | "Spring Awakening" delivers a rollicking wake-up call


Wednesday, October 15, 2008
By Misha Berson
Seattle Times theater critic
Theater Review

Blake Bashoff as Moritz in the touring cast of "Spring Awakening," on stage at the Paramount through Sunday.

From "Mama Who Bore Me," the plaintive, sweetly sung lament that opens the show, to the wild eruptions of thrashing angst in rockin' stompers like "The Bitch of Living," the musical "Spring Awakening" is an enthralling theatrical bash that ratchets the stakes of so-called youth musicals way, way up.

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Posted on Wednesday, October 15, 2008 at 12:28PM by Registered CommenterSusan Hilferty | CommentsPost a Comment | References1 Reference

'Spring Awakening'


Angela Reed (left) and Christy Altomare in "Spring Awakening." (Katy Raddatz / The Chronicle)

Robert Hurwitt, Chronicle Theater Critic
Tuesday, September 9, 2008

A young teen croons plaintively about the wonders of her blossoming body as she dresses for school. Her schoolmates rock the song into an intense chorus of frustration. A classroom of ramrod-stiff boys erupts from their desks in Bill T. Jones' explosive choreography to the dynamic rhythms emanating from musical director Jared Stein's onstage band.

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Posted on Tuesday, September 9, 2008 at 03:30PM by Registered CommenterSusan Hilferty | Comments2 Comments

Hilarity and horror thrive in 'Bette and Boo'


The Associated Press
Tuesday, July 15, 2008

NEW YORK: Abject misery has never been choreographed with such wit and pizazz as it is in the new production of Christopher Durang's "The Marriage of Bette and Boo."
This Roundabout Theatre Company revival, now on view at off-Broadway's Laura Pels Theatre, is ebulliently directed by Tony Award-winner Walter Bobbie. The difficulties of their union, presented in 33 swift scenes over the course of 30 years, play like a candy-coated therapy session. As narrated by Bette and Boo's son, Matt (a stand-in for playwright Durang) the plot dips and twirls from hilarity to horror in equal measure.

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Posted on Tuesday, July 15, 2008 at 12:24PM by Registered CommenterSusan Hilferty | Comments2 Comments

Do You, Bette, Take Boo for a Life of Misery That We’ll Laugh At?


July 14, 2008
THEATER REVIEW | ‘THE MARRIAGE OF BETTE AND BOO’

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Posted on Monday, July 14, 2008 at 04:00PM by Registered CommenterSusan Hilferty | Comments1 Comment

Vengeance Revisited, With Singing


 

May 31, 2008
THEATER REVIEW | 'THE VISIT'

ARLINGTON, Va. — The macabre and the misty-eyed vie uneasily for supremacy in “The Visit,” a musical adaptation of Friedrich Dürrenmatt’s 1956 tragicomedy about vengeance and venality, at the Signature Theater here.

Chita Rivera, celebrated for her long career as a Broadway dancer-actress, plays Claire Zachanassian, the much-married megamillionairess who returns to her hometown with more on her mind than happy reunions. Claire, you may recall, has lost at least an arm and a leg — literally — as she has piled up husbands and oil wells in the course of a long, profitable life. That is a pity, given Ms. Rivera’s ability to rivet the eye with the flare of a calf muscle, even after more than a half-century onstage. As Claire, she shimmies and slinks glamorously, but only hitches up her long skirts and lets loose for a few lively moments in the second act.

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Posted on Saturday, May 31, 2008 at 06:35PM by Registered CommenterSusan Hilferty | Comments4 Comments
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